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Kyrgyzstan gambling dens
November 12th, 2016 by Aidyn
[ English ]

The confirmed number of Kyrgyzstan gambling halls is a fact in some dispute. As information from this country, out in the very remote central section of Central Asia, can be difficult to receive, this may not be all that astonishing. Whether there are 2 or 3 authorized gambling halls is the item at issue, maybe not quite the most earth-shattering slice of data that we do not have.

What certainly is correct, as it is of the lion’s share of the old USSR states, and certainly truthful of those located in Asia, is that there will be a good many more illegal and bootleg market gambling dens. The adjustment to legalized gaming did not encourage all the illegal locations to come away from the dark and become legitimate. So, the contention regarding the total number of Kyrgyzstan’s gambling dens is a tiny one at most: how many authorized ones is the item we are trying to resolve here.

We are aware that located in Bishkek, the capital municipality, there is the Casino Las Vegas (a marvelously unique title, don’t you think?), which has both gaming tables and slots. We can also find both the Casino Bishkek and the Xanadu Casino. The two of these contain 26 one armed bandits and 11 table games, split amongst roulette, twenty-one, and poker. Given the remarkable similarity in the size and setup of these 2 Kyrgyzstan gambling dens, it may be even more surprising to determine that the casinos are at the same location. This seems most difficult to believe, so we can no doubt state that the number of Kyrgyzstan’s gambling dens, at least the legal ones, is limited to 2 casinos, 1 of them having changed their title not long ago.

The country, in common with the majority of the ex-USSR, has undergone something of a rapid adjustment to free market. The Wild East, you could say, to refer to the lawless ways of the Wild West a century and a half ago.

Kyrgyzstan’s gambling halls are in reality worth checking out, therefore, as a piece of anthropological analysis, to see dollars being played as a form of collective one-upmanship, the aristocratic consumption that Thorstein Veblen wrote about in nineteeth century u.s.a..


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